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Barbara Ertl
Meine ersten Flötentöne 1
The gentle introduction to the descant recorder
The recorder method “Meine ersten Flötentöne” (My first recorder notes) by Barbara Ertl provides a very gentle introduction to learning the descant recorder and thus ensures a motivating sense of achievement for all players. The order in which the notes are introduced is based primarily on the children's motor skills. The tuto... -
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Norbert Weigand
Tuba in der Volksmusik
A guide to playing without sheet music using chord symbols
“Tuba in der Volksmusik” (Tuba in German Folk Music) by Norbert Weigand is a comprehensive school for self-study and teaching.• For tuba players with basic knowledge of the instrument who want do learn how to play folk music using chord symbols• Tonal exercises in five keys• Including preliminary exercises as warm-u... -
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Gerwin Eisenhauer
Bum Bum Tschack - Technik & Lesen
A drummers‘ gym
TECHNIK & LESEN (Technique & Reading) from the „Bum Bum Tschack“ series is a musical “gym” for every drummer who wants to improve their hand and foot technique and and reading skills at the same time. In addition to a systematic introduction to the world of reading, rudiments, hand and foot combinations and snare tec... -
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Gerwin Eisenhauer
Bum Bum Tschack - Grooves & Fills
The comprehensive method for rock, alternative and hip-hop
GROOVES & FILLS from the „Bum Bum Tschack“ series is a musical kit for every drummer who wants to work intensively on their groove and fill repertoire. Starting with ideas and concepts for rock, funk, alternative, to hip-hop and punk rock up to house and newer styles such as trap, the musical journey goes through the world of groove... -
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Gerwin Eisenhauer
Bum Bum Tschack - Jazz & Latin
An introduction to swing and grooves from Cuba and Brazil
JAZZ & LATIN from the „Bum Bum Tschack“ series introduces the student into the musical world of swing and jazz and sheds light on the rhythmic world of Brazil and Cuba.From swing and bebop to samba, baião and bossa nova to mambo and songo and much more! In addition to the most important feels of these worlds, solo ideas and r... -
Wolfgang Amadeus Mozart
Sinfonie Nr. 40 g-moll
Die große G-Moll-Sinfonie für Streicher und Bläser mit Schlagwerk und Harfe
This new arrangement for symphony orchestra preserves the atmosphere and charm of the original and is slightly shorter. The texturally skilful adaptation allows the work to be performed with just strings alone (in fact even with a string quartet). The different levels of difficulty of the string parts take account of players’ varying abilitie... -
Wolfgang Amadeus Mozart
Sinfonie Nr. 40 g-moll
Die große G-Moll-Sinfonie für Streicher und Bläser mit Schlagwerk und Harfe
This new arrangement for symphony orchestra preserves the atmosphere and charm of the original and is slightly shorter. The texturally skilful adaptation allows the work to be performed with just strings alone (in fact even with a string quartet). The different levels of difficulty of the string parts take account of players’ varying abilities with... -
Wolfgang Amadeus Mozart
Sinfonie Nr. 40 g-moll
Die große G-Moll-Sinfonie für Streicher und Bläser mit Schlagwerk und Harfe
This new arrangement for symphony orchestra preserves the atmosphere and charm of the original and is slightly shorter. The texturally skilful adaptation allows the work to be performed with just strings alone (in fact even with a string quartet). The different levels of difficulty of the string parts take account of players’ varying abilitie... -
Wolfgang Amadeus Mozart
Sinfonie Nr. 40 g-moll
Die große G-Moll-Sinfonie für Streicher und Bläser mit Schlagwerk und Harfe
This new arrangement for symphony orchestra preserves the atmosphere and charm of the original and is slightly shorter. The texturally skilful adaptation allows the work to be performed with just strings alone (in fact even with a string quartet). The different levels of difficulty of the string parts take account of players’ varying abilitie... -
Wolfgang Amadeus Mozart
Sinfonie Nr. 40 g-moll
Die große G-Moll-Sinfonie für Streicher und Bläser mit Schlagwerk und Harfe
This new arrangement for symphony orchestra preserves the atmosphere and charm of the original and is slightly shorter. The texturally skilful adaptation allows the work to be performed with just strings alone (in fact even with a string quartet). The different levels of difficulty of the string parts take account of players’ varying abilitie... -
Edward Elgar
Chanson de Matin
für Streicher, Bläser und Harfe (Klavier)
The English composer Edward Elgar completed the two pieces "Chanson de nuit" and "Chanson de matin" in 1897 and 1899. He initially wrote them for violin and piano but so quickly did they become popular that he prepared orchestral versions of them shortly after the turn of the century. It was these orchestrations of the pieces that particularly cont... -
Edward Elgar
Chanson de Matin
für Streicher, Bläser und Harfe (Klavier)
The English composer Edward Elgar completed the two pieces "Chanson de nuit" and "Chanson de matin" in 1897 and 1899. He initially wrote them for violin and piano but so quickly did they become popular that he prepared orchestral versions of them shortly after the turn of the century. It was these orchestrations of the pieces that particularly cont... -
Edward Elgar
Chanson de Nuit
für Streicher und Bläser mit Pauke und Harfe (Klavier)
The English composer Edward Elgar completed the two pieces "Chanson de nuit" and "Chanson de matin" in 1897 and 1899. He initially wrote them for violin and piano but so quickly did they become popular that he prepared orchestral versions of them shortly after the turn of the century. It was these orchestrations of the pieces that particularly cont... -
Edward Elgar
Chanson de Nuit
für Streicher und Bläser mit Pauke und Harfe (Klavier)
The English composer Edward Elgar completed the two pieces ‘Chanson de nuit’ and ‘Chanson de matin’ in 1897 and 1899. He initially wrote them for violin and piano but so quickly did they become popular that he prepared orchestral versions of them shortly after the turn of the century. It was these orchestrations of the piece... -
Kathi Stimmer-Salzeder
Wenn wir unsre Gaben bringen - Set
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Kathi Stimmer-Salzeder
Wenn wir unsre Gaben bringen - Partitur
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Kathi Stimmer-Salzeder
Wenn wir unsre Gaben bringen - Set 10 Chorpartituren
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Beethoven / Bruckner
Drei und zwei (A)Equale Partitur
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Beethoven / Bruckner
Drei und zwei (A)Equale Stimmenset
